Movie Theaters and Showtimes near Los Angeles, CA
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Premium Plus seating includes full-service ordering in a leather covered recliner that seats two guests with a shared table. Along with in-theatre food and drink delivery, IPIC's ninja-like servers are available at the push of a button to ensure your comfort with blankets and more. Before or after the movie, stop by The Tuck Room for hearty pub fare and craft cocktails. The New Beverly Cinema may have the most colorful history of any movie theater in Los Angeles. It has been home to a candy maker, a nightclub called Slapsy Maxie’s and an X-rated theatre.
"To Our Loves"
Opened on Montana Avenue in 1940, the Aero Theatre was built by Santa Monica-based Douglas Aircraft Company to serve its employees. According to the Los Angeles Conservancy, during World War II the Aero (named in tribute to the aerospace industry) showed movies around the clock, in order to accommodate Douglas' three-shift manufacturing schedule. The Egyptian Theatre is one of only five remaining theaters in the U.S. capable of projecting nitrate film, the film stock used from 1889 to the 1950s - as well as 35mm, 70mm and digital formats - bringing classic and modern cinema to life. In 1922, a few weeks before King Tutankhamen’s tomb was discovered, the Egyptian Theatre was opened by Charles E. Toberman and Sid Grauman, who would later go on to open Grauman’s Chinese Theatre. It was a prescient design choice - the world soon went mad for all things Egyptian and several other Egyptian-themed theatres soon opened across the country.
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Costume Party: The House of Mirth - Brooklyn Magazine
Costume Party: The House of Mirth.
Posted: Wed, 18 May 2016 07:00:00 GMT [source]
Terence Davies's starched, funereally gloomy screen adaptation of Edith Wharton's novel ''The House of Mirth'' arrives at a timely moment in New York City's social history. Located at the Hammer Museum in Westwood, the Billy Wilder Theater is the home of the UCLA Film & Television Archive public programs. The Wilder is one of the few venues in the country that is able to exhibit an entire century's worth of moving images in their original formats. From the earliest silent films requiring variable speed projection all the way up to cutting-edge digital cinema, the Wilder can accommodate an array of screen technologies.
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Carry believes Lily's two possibilities for marriage are George Dorset and Simon Rosedale. George asks Lily for the truth about his wife Bertha's infidelities, but she denies any knowledge of them. He has found out about Bertha's letters and advises Lily to use them to force Bertha to restore her social standing.
Home and Garden
Dolby is the exclusive sponsor of the museum's state-of-the-art theaters. The 966-seat David Geffen Theater is a grand presentation space for major film events, public programs, live performances, movie premieres and other special events. The theater is fully equipped to present film in many formats, including nitrate, 35mm, 70mm, and laser projection supporting Dolby Vision. The theater also features Dolby Atmos, a truly immersive audio experience. The Geffen Theater’s stage can accommodate a 60-piece orchestra; its seating layout can be arranged to accommodate a sound booth; and catwalks can be rigged with theater lighting. The creation of fairy gardens is not just an artistic endeavor, but also an act of fun and whimsy played out with plants.
Then again, there aren’t many movie theatres with the history of the TCL Chinese Theatre IMAX, arguably the most famous movie house in the world. The first Los Angeles location of the acclaimed theatre chain is located at The Bloc in Downtown LA. Alamo Drafthouse features 12 screens with recliner chairs and food and drink that's delivered directly to your seat. The Video Vortex is a multi-purpose lounge with a full bar, 45+ beers on tap, Tex-Mex food menu, vintage arcade games, board games, and more than 40,000 Blu-rays and DVDs available for FREE rental (2 free items for one week, $2.99 for each item after). Apparently Davies saw a still of her in "The Mighty" (1998) and made her his first choice. Her success on "The X-Files" might seem to disqualify her, but Anderson's talent has many notes, and I liked the presence she brought to Lily Bart.
Following are excerpts from Stephen Holden's review, which appeared in The New York Times on Sept. 23. The film opens today at the Loews Paris Fine Arts Theater, 4 West 58th Street, Manhattan. Many was the jeer and jest that this casting had provoked here and there, I am sorry to say, with some wondering aloud if David Duchovny is to be cast in future as the lead in a biopic of Lord David Cecil. Despite being a period piece, The House of Mirth's depiction of social cruelty still feels chilling and relevant for today. We modern viewers are thinking that she need not repay it, that he is a louse and she can save herself, but that is not the sort of thing that would occur to Lily. She cannot keep a job as a rich man's companion because her reputation is wanting.
Following a three-year renovation, the historic Vista Theatre in Los Feliz is officially reopening on Friday, November 17 with Eli Roth's new holiday horror movie, Thanksgiving. Owner Quentin Tarantino, who purchased the Vista in 2021, is celebrating the theatre's centennial by hosting a sold-out 35mm screening of True Romance on November 11. In October 2023, American Cinematheque and Netflix announced that the Egyptian will be reopening on November 9 following a three-year renovation that has restored the movie palace to its original 1922 grandeur. The first screening will be The Killer, followed by a Q&A with the director David Fincher.
In Lily's scenes with Lawrence Selden (Eric Stoltz), the lawyer who would be her ideal husband were it not for his relative impecuniousness, Ms. Anderson comports herself with horsy flirtatiousness that is uncomfortable to watch. Not until the end, when Selden realizes what he has lost, does this actor betray any flickerings of his character's inner life. But Daniel Day Lewis's quietly smoldering Newland Archer in ''The Age of Innocence'' showed it could be done. The story of Lily Bart (Gillian Anderson), the beautiful society princess who miscalculates in her search for an advantageous match, becomes a Rake's Progress of social shame. Terence Davies has characterised The House of Mirth by Edith Wharton as Jane Austen with the gloves off.
There are no rules with these fun little gardens, they’re simply built from your heart’s desire. They offer an opportunity to continually reinvent the space and keep the magic alive season after season. However, they are not the only ones who can partake in this whimsical activity; people of all ages can find solace and inspiration in creating a fairy garden.
This English director's vision of New York City in 1905 is infinitely bleaker and more sterile than the glittering Versace- and Gucci-clad present, of course. The characters are too constricted by a punishing puritanical code of behavior to have much fun; hardly a smile is cracked throughout the film's glum 140 minutes. In early 20th century New York City, an impoverished socialite desperately seeks a suitable husband as she gradually finds herself betrayed by her friends and exiled from high society. Edith Wharton, a sharp and unforgiving chronicler of New York society, knew that, and knew that her own independence was based on her self-employment as a novelist.
Wharton as a writer was a contemporary of her great friend Henry James, and also of the rising group of realists like Dreiser. The Age of Innocence is a Jamesian novel, but The House of Mirth is more like Dreiser, like an upper-class version of Sister Carrie , in which a woman's life is defined by economic determinism. Like the Edith Wharton novel that inspired it, Terence Davies' "The House of Mirth" conceals rage beneath measured surface appearances. This is one of the saddest stories ever told about the traps that society sets for women. Perhaps its characters fear that if they ever really spoke their thoughts, their whole house of cards, or mirth, would tumble down. And so they speak in code, and people's lives are disposed of with trivial asides and brittle wit.
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